My work oscillates between collage and painting, weaving together diverse practices that engage in a constant dialogue inspired by architecture, patterns, and landscapes.

The creative process remains unchanged: I gather images, objects, and materials, returning to them as one might leaf through memories, guided by associations and intuitions. From these elements, I extract forms that, once stripped of their original context, are reassembled to create new images.

I am drawn to that fragile moment when the image transforms, when it lingers on unstable, poetic ground, traversed by silent tensions. Collage does not depict a specific place but evokes a sense of place. It functions like a language: forging unexpected correspondences, disrupting visual hierarchies, and opening up in-between spaces.
Thus, my work explores visual memory—its porosity and its capacity for reconfiguration.

As a multidisciplinary artist, I extend my practice to textiles and floral design, continuing this exploration through other materials. Since 2020, I have been developing painting on silk, which has introduced greater fluidity and unpredictability into my gestures. Color behaves differently there, flowing more freely and leading me to embrace what emerges.